#Andy milonakis twitter movie

(Three Loco) had had some deals on the line not just for an album, but for an independent movie and some other stuff. I was kind of pissed at Riff, we had a little beef for a while, but I talked to him. We might do a couple songs or videos down the line. There’s really never going to be a Three Loco reunion? That beat sucks compared to the real one. ‘WHAT ARE YOU GONNA SUE ME FOR? SUE ME FOR NOTHIN?’” But yeah, I would’ve told them to eat a fat dick if we weren’t signed but we had to take it down and put a fake version on the EP. What are you gonna do bitch? Take me to court. Obviously we were signed to Mad Decent at the time, but if I wasn’t on a label I would have just been like, “Suck my dick. I could have picked any obscure sample, but of course I had to pick one of the biggest insurance companies in the world and steal their melody. We put it out, and within 24 hours we had a cease and desist letter. That would be so fucking hard as a beat.” I showed it to Diplo and he had DJA turn it into a beat in like, ten minutes.

#Andy milonakis twitter tv

I was watching TV and that Farmers Insurance commercial came on, and I was like “Yo, that fucking thing is so catchy. Then it wasn’t like, “He’s joking”-it was like “Yo, he’s jokey, but I’ll work with him too.”ĭoes that mean this is the end of Three Loco?Ĭan you tell me what happened when y’all made “We Are Farmers?” With Riff Raff, too he did a bunch of shit and big rappers weren’t fucking with him in the beginning, but he kinda penetrated through. Once you break that barrier, it’s easier. Plus, it opens doors to work with more people. Rappers take shit so seriously sometimes, they’re like “That’s lame, that’s hokey, that’s not my vibe.” It’s cool to fuck with these real heads, people who are respected. It’s weird because I’ve been doing it a long time and it’s kinda hard to break through when you’re seen as a funny white boy who raps sometimes. It helps me a lot, but I feel like it’s also cool for him because his fans are kind of shocked in a good way. It’s cool because he really wants to do shit with me, and I fuck with him, so I think its smart to do it. I ended up writing six songs with him that day. I called a bunch of studios and we ended up at this studio in Burbank, and I wasn’t even planning on laying anything down but he was texting me from the booth, “Yo, you got something for this? You gonna come lay something down?” I was like, “Oh shit, I didn’t know I was supposed to be writing.” So I wrote a verse, laid it down, and he just kept hitting me up like that for every beat that came on. He was in the process of making a studio out of his guest house so there was no microphone, but after a while one of his boys was like, “Fuck listening to all these beats, we need a mic,” so we decided to get a studio right then. We hung out and listened to like 100 beats. I was like damn, do they know I’m going to Chief Keef’s house? I was feeling the rap vibe and had a couple of ounces of (lean) left and I hadn’t drank lean in like a year, so I stopped at this Chinese restaurant on the way to get Sprite and drank lean on the way to his house. I called an Uber, and it was so fitting a big fucking matte black SUV picked me up. One thing I really hate about the Hollywood shit is when people are really pushy about working on things together.

We didn’t plan on making music I’m not really pushy about that stuff.

A while later, I unfollowed every single person on Vine because I got so mad about how shitty Vine comedy was, and he hit me up like, “I know you’re not following anyone on Vine and I think it would be funny if you just only followed me.” Two months later, he tweeted at me to come hang out and we ended up exchanging numbers again. Nothing came out of it, we talked about hanging but it never happened. Well I was talking to Chief Keef a couple of months ago, like let’s hang or whatever.